Duration: 75mins-Variable | Caroline Bergvall: Lead artist, host | Dan Scott: recordings, ambisonic set-up | Speakers |
Conversation-performance for 1 host, 6 speakers, migratory birds and treated songline.
A cross-disciplinary performative discussion using Attar’s poem as a starting point for discussion and sonic perceptual transformation. The speakers included:
Shadi Angelina Bazeghi (Iranian-Danish poet and translator), David Wallace (medievalist), Geoff Sample (ornithologist and environmental sound artist), Clyde Ancarno (sociolinguist, interspecies research), Cherry Smyth (poet, art writer and curator) and Adam Chodzko (visual artist) as well as a dawn chorus of birds and Nightingale (Stodmarsh).
Set up ambisonically with sound artist Dan Scott, Conference (after Attar) develops into a cycle of sounds and vocal frequencies, including migratory songbirds of which a nightingale captured on their return to Kent this spring. It also featured a recorded vocal songline based on medieval tonalities initially composed for Ragadawn by British composer Gavin Bryars, here reprised spatially. Singer: Peyee Chen.
“From compere to shaman!”
Photo credit: Thierry Bal
The Conference of the Birds is a medieval mystical work by Persian poet Attar, composed of poetic sections, dialogues, conversations and parables in which allegorical birds are encouraged to set out on a spiritual quest. In keeping with this motif, our conversation explored ideas of journeying and asked how languages migrate and settle, how love poetry crosses histories, how traces create places, and the vast question of migratory and endangered species. Each speaker was asked to reflect on their own trajectory and how their practice and concerns might respond to the mystical initiatory journey set up by Attar.
Greetings! To each of you,
and of each of you more than you know,
and more of you than I know,
some of you in listening seats
some of you I rely on to speak,
and I will be your host.”