Archives:

“SAY PARSLEY” @ HENRY MOORE INSTITUTE, LEEDS

“How you speak will be used against you”. New iteration of my work “Say: Parsley” around language violence and belonging. This time exploring the still palpable injurious shibboleth threat of Irish by English. Created with my main collaborator Ciarán O’Meachair.
Great group show great poets/artists/scholars: lots of online and onsite events. FREE.

Art Practice Mentoring

These individual sessions are aimed at writers/artists/curators and others and provide a tailored and supportive opportunity to nurture a project, its developmenet, as well as your own creative focus and needs. We work in your timezone. Email me here with any queries.

“RIDE” @ the British Library, 6 July-26 Nov

I have a special affection for this audiopiece around love, erotics and love as practice. Speaking it while writing it as a recording. Now programmed as part of “Breathe In, Breathe Out”, a new programme of displays within their Treasures Gallery dedicated to exploring new ways of experiencing words. Beat the Summer heat and sit back and enjoy the sounds in this cool and peaceful room.

BRING YOUR PROJECT SHARE PROCESS AND IDEAS

Work on an an existing writing or art project alongside peers. Join me for 6 weekly sessions starting on Summer solstice! Meet the Summer by enriching your writing and art pracxtice with exploratory conversations, fruitful feedback, sharing resources with others.
Open to 12 artists/writers. Early Bird discount. More info here!

Now is good time for screaming

NOW IS A TIME FOR SCREAMING FOR ENERGY RELEASE … LET YOUR SOUND RISE CHANGE YOU … NOW IS A TIME FOR RELEASING A NEW KICKASS WAY TO LIVE AND TO SERVE. Click here to access, listen and harness!

Networks and Interactions: IRCAM Paris

Thoughts around my online collaborative writing events. Also with Frédéric Bevilacqua, Samuel Bianchini, Marta Handenawer, Hugues Vinet. Hosted by IRCAM Reserach Centre, Paris. Free online access

Nattsong, Art Monthly #453

By sound art scholar Lucia Farineti. “Nattsong” marks the culmination of a 6 year cycle of performances around ancient and minoritised languages.