HOW DO I GET FROM A TO B
Written, created and produced during the Spring 2020 lockdown.
Sound design Jamie Hamilton.
Special Release on Cafe Oto’s digital label Takuroko.
Alisoun Sings and hystoricism
“Bergvall’s historically multiple language creates a space where all that is transgressive, opaque, and mobile from the medieval and the contemporary meet”. Review by Toby Altman on Alisoun Sings & the trilogy. Chicago Review.
Issue 63:03/04 Winter/Spring 2020
Night & Refuge 2
Still availble to view in full: Writing live across languages with these great poets/performers:
Edwin Torres, Jessie Kleeman, Mandla Rae, Erin Moure, Gunnar Waerness.
3 hours.
Workshops
First two in a new series of short Writing Intensives:
1. Creative Use of Research.
2. Multilingual Resistance.
Small group work. Tickets still available: Get your place. Bursaries now fully allocated. More info here.
Collective Poesy
The disruptive pleasures of Alisoun Sings. A review by Charles Theonia. Oct 2020. Jacket 2
Alisounation: “Re-sounding is the name of the game”
Resounding. Re-sounding. Resonance is the name of the game. A spinning riffing vocalising review exchange around Alisoun. By Kyoo Lee for Chinese Underground Literary Mag Spittoon Collective. With great additional links.
Night & Refuge
Delighted to be nominated at this established film poetry festival with our Night & Refuge film. I’ll post the festival link when it’s live. Film link here:
Newsletter: Some new approaches, Alisoun returns,
Dear friends, I hope you are keeping well, staying safe and sane wherever you’re at
“Love binds, love connects”
Review essay by Greg Bem. On Alisoun Sings and looking at links across the trilogy.
Rain Taxi, Fall 2020
Caroline Bergvall’s Poetics of Disorientation
“Poetry is an action, an activity and pursuit, moving through space and time with intention.” Essay by Rebecca Teich. The Poetry Project, #260 Spring 2020.
